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Content Writer / Commercial Stylist
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Creative Thinking from M M Creative Media
melody@mmcreativemedia.co.uk
@melodys_pen

I immediately make friends with Emily, or to be more accurate Emily makes friends with me. Emily is Canadian and the kind of beautiful that has you staring half a second too long when she enters a room, with never ending legs and never ending enthusiasm for whatever is thrown her way. She so pretty and loud and wild, you want to poke her to check she real and not off the TV, but Emily is all real apart from her eyelashes, so long she could catch you a fish dinner with them if she went swimming in the ocean.
Stephen is the supermodel kind of Irish with piercing blue eyes, milky smooth skin and jet black thick hair, helpfully paired with a delicious sense of style- and that’s before you get to the accent. We love Stephen.
As the days wandered past us, bonds were forged, our crew of travellers inseparable, recognising certain traits in each other that kindle a friendship that feels easy and long lasting. We rode bikes, talked life, politics and made up an imaginary friend called Rhonda that spoke in a drawling New York accent and travelled the world with her dog on her dead husbands money. (Seriously what the hell was that one about? We talked about Rhonda so much that her voice still rings in my head sometimes. I blame the mango daiquiris...)
a ‘loosey’ [Loo-zee]
My walking, talking, French stranger-on-a-train-cliché buys me red wine and we talk for the entire 6 and half hour journey, covering art, philosophy, education and in hour number 3, his girlfriend (pah!) I forget to be scared, of the tunnels and mountains, of the 200mph, of being by myself when I get to my destination, I only see the beauty (no, not just of the French dude’s face) of the Pyrenees, of green luscious space that turns to a gorgeous burnt orange as we pass into Spain. “I’m back,” I whispered. “I’m back.”
I’m the last person on the bus which should have been a clue, and have somehow ended up in the suburban mountains of Barcelona rather than down by the harbour. Me and my backpack which weighs roughly the same weight as me, get off the bus and walk to the opposite side of the road waiting for the number 9. I’m lost, and I don’t care. I’m in Barcelona.
Shakespeare and Co is a bookshop opposite the Notre Dame that has been a home and meeting place for writers and artists for decades, giving shelter and a place to stay for those looking for art and inspiration along the river. It was my plan B as a lost graduate: “I’ll just run away to Paris” I reasoned. And here I was.
It’s all very on-trend and popular, with the obligatory Japanese tourists taking pictures out the front, but it’s the bones of the place that capture me. Wooden beans and layers of books, old typewriters and well-worn desks laid out upstairs for anyone to use, and I think of the cut-out picture of this place on my wall at home. Sometimes something you wait for can disappoint you. But sometimes it’s even more magic than you hoped.
It’s Jason Segal, off of how I met your mother, Forgetting Sarah Marshall. He grins, I gawp, and we definitely have a moment there on the streets of Paris but I decide not to stop and tell him that he is a sign from God. I walk on by and find my hotel at the end of the street.
At twenty-five years old, I, like the majority of my peers, find my i-phone to be a natural extension of my limbs. My whole life is channelled through this one portal, my alarm clock, my banking, Facebook and Twitter, my camera and hundreds of pictures, Amazon, my music collection, news source, calorie counter. An identity has been gathered and constructed and I hold it constantly in the palm of my hand to reaffirm the person I am, the cold sweat of dread when the damn thing goes missing a feeling we are all familiar with. The constant noise that we surround ourselves with becomes necessary and normal; I find myself suspicious of people that don't have Facebook (what are they hiding?) and people that don't have i-phones are just plain inconvenient (what do you mean you don't have i message or whatsapp? I have to pay to text you?)
It is education that liberates a young person from the pressure cooker, giving an individual the tools to craft a life and a living from what they love to do, and a good education should inspire someone to do just that. A school should not be an exam factory, but a fertile land where we breed confidence in young minds; confidence to develop individual strengths and value them, measuring success by something other than the wage packet it returns to you. But that is not how the song sings, and an honest look at how we are teaching young people before we send them out into the world would answer a lot of questions when it comes the state of the mental health of 11-25 year olds.